2020

[ubiquitous]

With the themes of “Diversity” and “Contradiction” in my mind, I wander through the world of my painting, applying many meticulous brushstrokes on the canvas. The motif I chose is Raigo-zu (Image of Welcoming Approach by Amida Buddha) , using an image of the coming of a myriad of Goats with a large retinue instead of Amida Buddha. I am exploring the reality that would exist after tweaking the reality of our daily lives with the redemption of Goats.The bird’s-eye view that you see “NOW” could become a “Future reality”. I am striving to achieve something persuasive even though it may be incomprehensible.

「多様性」と「矛盾」をテーマに、画中を練り歩くように筆を運ぶ。届かぬ声を紡ぎたい。選んだモチーフは大勢の山羊の来迎図。彼らの背負った贖罪、または我々の日常、 それらのチューニングを少し変えた先に、遍在するリアルを探った。「今」を記す俯瞰図は、「あり得たかもしれない未来」でもある。


2019

[Karkinos/カルキノス]


2018

[Garden#5]

2017

2016

[Anunnaki/アヌンナキ]


2015

2014

[From the iron tower with love/鉄塔より愛を込めて]

A Godzilla-like baby monster at the top of the iron tower is roaring. At the bottom of the tower, another one is looking up and roaring. The artist drew this employing a special effect, wondering what it would be like if we could eliminate problems caused by nuclear power plants by reviving Godzilla born from a hydrogen-bomb. However this is not the artist’s personal conviction, but just a small thought that it may be nice if this kind of thing happens. Love is given to contradictions arising from it, special effects, and incidents that occurred at the tower.


2013

2012

2011

[Unmanifested Reality]


2010

[yado-kari]


2009

2007/2008

[portrait/自画像としての街]